A working principle
Good ideas deserve better than obvious answers.
Over the years, I’ve created work for many brands, including:
Paris 2024 Christie’s Sotheby’s Chanel Dior Guerlain Diptyque Cartier Kering Valentino Dolce & Gabbana Carolina Herrera Nina Ricci Martell Pernod Ricard Google YouTube Coca-Cola Orange Renault Peugeot Citroën Audi Citadium Fusalp Nivea Carrefour BNP Paribas HSBC EDF Philips CANAL+ ARTE France Télévisions RMC Découverte Forum des images Le Figaro TheFork Station F Ville de Paris
Much of this work came through agencies and production companies such as:
Auditoire Carmin Productions CAPA Pôle Nord Studio Empreinte Digitale Kabuki Media Klutch CTV Group Paps & Co Label News Some Stuff Studio Films à Cinq Éléphant At Work Control Films Fast Prod EO Production Tape On Me 75 Irène Lonsdale OBO BETC Havas Productions Ogilvy Publicis Conseil Publicis Consultants Hopscotch TBWA Corporate W&Cie
Showreels.
Last Reel Before the Robots
FILM
This reel brings together my direction, VFX and motion design work. The projects were made the old-fashioned way, through hands-on production and post-production.
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Lost Footage 2025
FILM
AI-generated sequences are cut together into a single film. The edit connects these imagined scenes through rhythm, movement and visual associations.
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Journal.
Random work.
Paris 2024 — Circles
Circles: concept, editing and 2D/3D motion design for Paris 2024 venue screens. Public-domain imagery, IOC sources and licensed music connect Paris, art and sport.
Darwin Express
Art direction, opening titles and scientific motion graphics for Darwin Express, an ARTE documentary exploring evolution at unexpected speed. Created with Pôle Nord Studio.
